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Paris has long inspired opinionated outbursts, from delusional to
denouncing, but on one matter travelers remain in agreement: it's among the
most stimulating cities in the world. Paris assaults all the senses,
demanding to be seen, heard, touched, tasted and smelt. From luminescent
landmarks to fresh poodle droppings on the pavement, the city is everything
it should be - the very essence of all things French. If you come here
expecting all you've heard to be true, you won't leave disappointed.
Paris was founded towards the end of the 3rd century BC on what is now the
Île de la Cité by a tribe of Celtic Gauls known as the Parisii. Centuries of
conflict between the Gauls and Romans ended in 52 BC, when Julius Caesar's
legions took control of the territory and the settlement became a Roman
town. Christianity was introduced in the 2nd century AD, and the Roman party
was finally crashed in the 5th century by the arrival of the Franks. In 508
AD, Frankish king Clovis I united Gaul as a kingdom and made Paris his
capital, naming it after the original Parisii tribe.
Paris prospered during the Middle Ages. In the 12th century, construction
began on the cathedral of Notre Dame (work continued for nearly 200 years),
while the Marais area north of the Seine was drained and settled to become
what's known today as the Right Bank. The Sorbonne opened its doors in 1253,
the beautiful Sainte Chapelle was consecrated in 1248 and the Louvre got its
start as a riverside fortress around 1200.
Scandinavian Vikings (also known as Norsemen, or Normans) began raiding
France's western coast in the 9th century; after three centuries of
conflict, they started to push toward Paris. These conflicts gave birth to
the Hundred Years War between Norman England and Paris' Capetian dynasty,
eventually resulting in the French defeat at Agincourt in 1415 and English
control of Paris in 1420. In 1429, a 17-year-old stripling called Jeanne
d'Arc re-rallied the French troops to defeat the English at Orléans, and,
with the exception of Calais, the English were expelled from France in 1453.
Embracing the trappings of the Italian Renaissance helped Paris get back on
its feet at the end of the 1400s, and many of the city's signature buildings
and monuments sprang up during the period. Still, by the late 16th century
Paris was again up in arms, this time in the name of religion.
Clashes
between the Huguenots (French Protestants supported by England), the
Catholic League and the Catholic monarchy sank to their lowest levels in
1572 with the St Bartholomew's Day massacre of 3000 Huguenots in town to
celebrate the wedding of Henri of Navarre (later, King Henri IV).
Louis XIV, known as le Roi Soleil (the Sun King), ascended to the throne in
1643 at the tender age of five and held the crown until 1715. During his
reign, he nearly bankrupted the national treasury with prolonged bouts of
battling and building. His most tangible legacy is the place at Versailles,
23km (15mi) south-west of Paris. Louis was succeeded by Louis XV and then
Louis XVI. The excesses of the latter and his capricious queen,
Marie-Antoinette, led to an uprising of Parisians on 14 July 1789 and the
storming of the Bastille prison - the act that kick-started the French
Revolution.
The populist ideals of the revolution's early stages quickly gave way to the
17,000 head-loppings of the Reign of Terror, wherein even a few of the
original 'patriots' got cozy with Madame la Guillotine. The unstable
post-revolution government was consolidated in 1799 under a young Corsican
general, Napoleon Bonaparte, who adopted the title First Consul.
In 1804,
the Pope crowned him Emperor of the French, and Napoleon proceeded to sweep
most of Europe under his wing. Napoleon's hunger for conquest led to his
defeat, first in Russia in 1812 and later at Belgium's Waterloo in 1815. His
legacy in modern France includes the national legal code, which bears his
name, and monuments such as the massive neoclassical Arc de
Triomphe.
Following Napoleon's exile, France faltered under a string of mostly
ineptrulers until a coup d'état in 1851 brought a new emperor, Napoleon III,
to power. In 17 years, he oversaw the construction of a flashy new Paris,
with wide boulevards, sculptured parks and - not insignificantly - a modern
sewer
system. Like his namesake uncle, however, this Napoleon and his penchant for
pugnacity led to a costly and eventually unsuccessful war, this time with
the Prussians in 1870. When news of their emperor's capture by the enemy
reached Paris, the masses took to the streets, demanding that a republic be
created.
Despite its bloody beginnings, the Third Republic ushered in the glittering
belle époque (beautiful age), with its famed Art Nouveau architecture and a
barrage of advances in the arts and sciences. By the 1920s and 1930s, Paris
had become a worldwide centre for the artistic avant-garde and had
entrenched its reputation among freethinking intellectuals.
The excess of
that era was cut short by the Nazi occupation of 1940, and Paris remained
under Germany's thumb until 25 August 1944. (The Allied forces that retook
the city were spearheaded by Free French units in order to give the French
the honor of liberating their capital.) After the war, Paris regained its
position as a creative hotbed and nurtured a revitalized liberalism that
reached a crescendo in the student-led 'Spring Uprising' of 1968.
The
Sorbonne was occupied, barricades were erected in the Latin Quarter, and
some 9 million people nationwide were inspired to join in a paralyzing
general strike, drawing attention to their increasing dissatisfaction with
the rigidity of French institutions.
During the 1980s, President François Mitterand initiated the futuristic
grands projets, a series of costly building projects that garnered
widespread approval even when the results were popular failures.
Responses
to the flashier examples, like the Centre Pompidou and the glass pyramids in
the Louvre, have ranged from appalled 'mon Dieux' to absolute dotin
grapture; if nothing else, the projets invigorated dialogue about the
Parisian aesthetic. In the late 1990s, the city dominated the international
spotlight with two front-page events: the rumour-plagued auto-accident death
of Diana, Princess of Wales, in August 1997 (though it's arguable that an
idealised icon can ever really die), and France's first-ever World Cup
victory (3-0 over the odds-on favourite, Brazil) in July 1998. Both events
brought Parisians out into the streets by the thousands and international
press corps in droves. Of less emotional interest but nonetheless significant, the political party
behind Jacques Chirac, who has been France's president since mid-1995, lost
the country's parliamentary elections in June 1997 to a coalition of
Socialists, Communists and Greens headed by current Prime Minister Lionel
Jospin. Jospin continues to be seen in a favorable light by the majority of
the French, having engineered a local economic recovery and introduced a
35-hour working week - he's the favorite to win the next round of
presidential elections due in 2002.
Attractions -
Musée du Louvre,
This enormous building, constructed around 1200 as a fortress and rebuilt in
the mid-16th century for use as a royal palace, began its career as a public
museum in 1793. As part of Mitterand's grands projects in the 1980s, the
Louvre was revamped with the addition of a 21m (67ft) glass pyramid
entrance. Initially deemed a failure, the new design has since won over
those who regard consistency as inexcusably boring. Vast scrums of people
puff and pant through the rooms full of paintings, sculptures and
antiquities, including the Mona Lisa, Venus de Milo and Winged Victory
(which looks like it's been dropped and put back together).
If the clamor
becomes unbearable, your best bet is to pick a period or section of the
Louvre and pretend that the rest is somewhere across town.
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The Centre Georges Pompidou, displaying and promoting modern and
contemporary art, is far and away the most visited sight in Paris. Built
between 1972 and 1977, the hi-tech though daffy design has recently begun to
age, prompting face-lifts and closures of many parts of the
centre. Woven
into this mêlée of renovation are several good (though pricey) galleries
plus a free, three-tiered library with over 2000 periodicals, including
English-language newspapers and magazines from around the world.
A square
just to the west attracts street musicians, Marcel Marceau impersonators and
lots of unsavory types selling drugs or picking pockets.
Notre Dame -
The city's cathedral ranks as one of the greatest achievements of Gothic
architecture. Notre Dame was begun in 1163 and completed around 1345; the
massive interior can accommodate over 6000 worshippers. Although Notre Dame
is regarded as a sublime architectural achievement, there are all sorts of
minor anomalies as the French love nothing better than to mess with things.
These include a trio of main entrances that are each shaped differently, and
which are accompanied by statues that were once colored to make them more
effective as Bible lessons for the hoi polloi. The interior is dominated by
spectacular and enormous rose windows, and a 7800-pipe organ that was
recently restored but has not been working properly since.
From the base of
the north tower, visitors with ramrod straight spines can climb to the top
of the west façade and decide how much aesthetic pleasure they derive from
looking out at the cathedral's many gargoyles - alternatively they can just
enjoy the view of a decent swathe of Paris. Under the square in front of the
cathedral, an archaeological crypt displays on site the remains of
structures from the Gallo-Roman and later periods.
Sainte Chapelle
Lying inside the Palais de Justice (law courts), Sainte Chapelle was
consecrated in 1248 and built to house what was reputedly Jesus' crown of
thorns and other relics purchased by King Louis IX earlier in the 13th
century. The gem-like chapel, illuminated by a veritable curtain of
13th-century stained glass (the oldest and finest in Paris), is best viewed
from the law courts' main entrance - a magnificently gilded, 18th-century
gate. Once past the airport-like security, you can wander around the long
hallways of the Palais de Justice and, if you can find a court in session,
observe the proceedings. Civil cases are heard in the morning, while
criminal trials - usually reserved for larceny or that French speciality
crimes passionnel - begin after lunch.
Musée d'Orsay
Spectacularly housed in a former railway station built in 1900, the Musée
d'Orsay was re-inaugurated in its present form in 1986. Inside is a trove of
artistic treasures produced between 1848 and 1914, including highly regarded
Impressionist and Post-impressionist works. Most of their paintings and
sculptures are found on the ground floor and the skylight-lit upper level,
while the middle level has some magnificent rooms showcasing the Art-Nouveau
movement. Nearby, the Musée Rodin displays the lively bronze and marble
sculptures by Camille Claudel and Auguste Rodin, including casts of some of
Rodin's most celebrated works. There's a shady sculpture garden out the
back, one of Paris' treasured islands of calm.
Eiffel Tower -
This towering edifice was built for the World Fair of 1889, held to
commemorate the centenary of the French Revolution. Named after its
designer, Gustave Eiffel, it stands 320m (1050ft) high and held the record
as the world's tallest structure until 1930. Initially opposed by the city's
artistic and literary elite - who were only affirming their right to
disagree with everything - the tower was almost torn down in 1909.
Salvation
came when it proved an ideal platform for the antennas needed for the new
science of radiotelegraphy. When you're done peering upwards through the
girders, you can visit any of the three public levels, which can be accessed
by lift or stairs. Just south-east of the tower is a grassy expanse that was
once the site of the world's first balloon flights and is now used by teens
as a skateboarding arena or by activists bad-mouthing Chirac.
Avenue des Champs-Élysées
A popular promenade for the ostentatious aristos of old, the Avenue des
Champs-Élysées has long symbolised the style and joie de vivre of Paris.
Encroaching fast-food joints, car showrooms and cinemas have somewhat dulled
the sheen, but the 2km (1mi) long, 70m (235ft) wide stretch is still an
ideal place for evening walks and relishing the food at overpriced
restaurants.
Cimetière du Père Lachaise -
Established in 1805, this necropolis attracts more visitors than any similar
structure in the world. Within the manicured, evergreen enclosure are the
tombs of over one million people including such luminaries as the composer
Chopin; the writers Molière, Apollinaire, Oscar Wilde, Balzac, Marcel Proust
and Gertrude Stein; the artists David, Delacroix, Pissarro, Seurat and
Modigliani; the actors Sarah Bernhardt, Simone Signoret and Yves
Montand;
the singer Édith Piaf; and the dancer Isadora Duncan. The most visited tomb,
however, is that of The Doors lead singer, Jim Morrison, who died in Paris
in 1971. One hundred years earlier, the cemetery was the site of a fierce
battle between Communard insurgents and government troops.
The rebels were
eventually rounded up against a wall and shot, and were buried where they
fell in a mass grave.
Place des Vosges -
The Marais district spent a long time as a swamp and then as agricultural
land, until in 1605 King Henry IV decided to transform it into a residential
area for Parisian aristocrats. He did this by building Place des Vosges and
arraying 36 symmetrical houses around its square perimeter.
The houses, each
with arcades on the ground floor, large dormer windows, and the requisite
creepers on the walls, were initially built of brick but were subsequently
constructed using timber with a plaster covering, which was then painted to
look like brick. Duels, fought with strictly observed formality, were once
staged in the elegant park in the middle. From 1832-48 Victor Hugo lived at
a house at No 6, which has now been turned into a municipal museum.
Today,
the arcades around the place are occupied by expensive galleries and shops,
and cafés filled with people drinking little cups of coffee and air-kissing
immaculate passersby.
Catacombes -
In the late 18th century, Paris decided it had a problem with its
cemeteries, namely that they were full, if not overflowing.
Faced with
potential outbreaks of disease, not to mention aesthetic concerns, the city
authorities decided to exhume the bones of the buried and relocate them in
the tunnels of several disused quarries. The decision to do this was made in
1785 and led to the creation of the Catacombes. Visitors to this disturbing
'attraction' will find themselves 20m (65ft) underground, working their way
along corridors stacked with bones. People over 60 can get in for free,
which says a lot about the French sense of humor. The tunnels, which were
used by the Résistance during WWII as a headquarters, are south of the
Seine.
Bois de Boulogne -
The modestly sized Bois de Boulogne, on the western edge of the city, is
endowed with forested areas, meandering paths, belle époque cafes and little
wells of naughtiness. Each night, pockets of the Bois de Boulogne are taken
over by prostitutes and lurkers with predacious sexual tastes.
In recent
years, the police have cracked down on the area's sex trade, but locals
still advise against walking through the area alone at night. |